One of my blog posts that I most enjoyed writing was entitled “Photography And Truth”, which can be read here and here. These posts ultimately turned into an essay that was published on Uwe Steinmuller’s Digital Outback Photography website. In the essay, I mentioned that I was surprised that there was an expectation on the part of many, if not most, viewers that fine art photography should depict ‘the truth’. In reality, there are decisions made by the photographer including focal length, in camera cropping, and shooting in RAW format (to name a few) that explain why most photographs are ‘untruthful’ to at least some degree.. However, there are journalistic standards that move a photograph more (but not necessarily totally) towards depicting the world as it truly is.
As the digital age progresses, there continues to be advancements in technology which allow for photographic 'doctoring' using methods that are increasingly subtle and difficult to detect. Interestingly, however, the concept of photographic manipulation is not a new one. In fact, such manipulations have been used since the earliest days of the medium.
One of the most famous photographic portraits of Abraham Lincoln was actually a composite image of Lincoln's head atop John Calhoun's body (ironic, given that Calhoun was a staunch supporter of slavery), done to give the president a more 'heroic' appearance.
PLUS
An image of Millard Tydings talking to Earl Browder, the leader of the American Communist Party at the time, played a role in his 1950 election defeat. The photograph is widely believed to be a fake composite.
Felt To Be A Fake Composite
Similarly, a composite image of Senator John Kerry and Jane Fonda was surely not helpful to Kerry's political career.
The second paper, entitled "Photo Tampering Throughout History", has several pages of examples of altered photographs, including many modern day images.
Both papers are definitely worth taking the time to read!






1 comment:
I didn't know that about the Lincoln image. Obviously when I point out to people that Ansel was doing so much way back then - I can in reality go back so much further!
Fine art photography is supposed to represent the vision, talent, and desires of the photographer. No one else is qualified to define what it should be other than the person creating the image in the first place. Period.
Post a Comment